Tash can

from $25.00

Part of the ongoing Field Markers series, this photograph documents a temporary public intervention created during Rainey King’s residency in Medellín, Colombia.

Using found surfaces and discarded urban materials, the work transforms an everyday trash bin into a quiet marker of presence, care, and visibility.

Rather than ownership, these gestures function as temporary offerings — interruptions within public space that ask how memory and identity move through a city.

Archival matte print.

Size:

Part of the ongoing Field Markers series, this photograph documents a temporary public intervention created during Rainey King’s residency in Medellín, Colombia.

Using found surfaces and discarded urban materials, the work transforms an everyday trash bin into a quiet marker of presence, care, and visibility.

Rather than ownership, these gestures function as temporary offerings — interruptions within public space that ask how memory and identity move through a city.

Archival matte print.